Jan Van Kessel
1626-1679
Dutch
Jan Van Kessel Gallery
Dutch painter and draughtsman. He was a follower, and probably a pupil, of Jacob van Ruisdael and covered the same range of subjects painted by Ruisdael, with the exception of marine paintings. However, van Kessel is best known for his townscapes and panoramic views, as exemplified by the Sluice and the New City Ramparts of Amsterdam in Winter (Amsterdam, Hist. Mus.) and the Bleaching Grounds near Haarlem (Brussels, Mus. A. Anc.). He imitated the water-mills and village scenes of his friend Meindert Hobbema, as well as the waterfalls of Allaert van Everdingen, the wooded landscapes of Jan Wijnants and the winter scenes of Jan van de Cappelle. Many of van Kessel's 120 surviving pictures, including The Avenue (Stuttgart, Staatsgal.) and the Ford in the Woods (Dresden, Gem?ldegal. Alte Meister), were once attributed to van Ruisdael and these other masters (often with an authentic signature covered by the better-known name). Van Kessel is also frequently confused with other minor artists in van Ruisdael's circle, especially Jan Vermeer van Haarlem the younger, Isaac Koene (1637/40-1713), Jacob Salomonsz. van Ruysdael (1629/30-1681) and Anthonie van Borssom. As a draughtsman, van Kessel emulated van Ruisdael's mature style, working almost exclusively in black chalk and grey wash. The best of his 70 drawings are townscapes, although his studies of trees and depictions of farmsteads are noteworthy. A number of correlations exist between his sketches and paintings. There is no known relationship with the Flemish artists of the same name. Related Paintings of Jan Van Kessel :. | L entree de l arche | A still life of tulips, a crown imperial, snowdrops, lilies, irises, roses and other flowers in a glass vase with a lizard, butterflies, a dragonfly a | Chien et chat devant un homard | Garland of Flowers with the Holy Family | Spiders and insects | Related Artists: Thomas AnshutzAmerican Realist Painter,
1851-1912
was an American painter and teacher. He studied art in Paris at the Academie Julian, and at the Pennsylvania Academy of the Fine Arts under Thomas Eakins. His most famous painting, The Ironworkers' Noontime (1880), depicts several workers on their break in the yard of a foundry. Painted near Wheeling, West Virginia, it is conceived in a naturalistic style similar to that of Eakins, although Eakins never painted industrial subjects. Johann Carl LothGerman Baroque Era Painter, 1632-1698
was a German painter, born in Munich but active most of his life in Venice. He is also called Johann Karl, Carlotto, and Carlo Lotti. He was the son and pupil of Johann Ulrich Loth (1590- 1662). He was commissioned to paint for the emperor Leopold in Vienna. He was influenced by Pietro Liberi. His brother Franz Loth was also a painter in Venice and Germany. He had numerous pupils including Willem Drost, Cornelis de Bruijn, Johann Michael Rottmayr, Paul Strudel, Santo Prunati, Daniel Seiter, and Giovan Battista Langetti. TitianItalian High Renaissance Painter, ca.1485-1576
Italian painter active in Venice. As a young man he was taught by the Bellini family and worked closely with Giorgione. His early works are so similar in style to Giorgione's as to be indistinguishable, but soon after Giorgione's early death Titian established himself as the leading painter of the Republic of Venice. Among his most important religious paintings is the revolutionary and monumental Assumption (1516 ?C 18) for Santa Maria dei Frari, in which the Virgin ascends to heaven in a blaze of colour accompanied by a semicircle of angels. Titian was also interested in mythological themes, and his many depictions of Venus display his work's sheer beauty and inherent eroticism. Bacchus and Ariadne (1520 ?C 23), with its pagan abandon, is one of the greatest works of Renaissance art. Titian was sought after for his psychologically penetrating portraits, which include portrayals of leading Italian aristocrats, religious figures, and Emperor Charles V. He reached the height of his powers in The Rape of Europa (c. 1559 ?C 62), one of several paintings done for Philip II of Spain. He was recognized as supremely gifted in his lifetime, and his reputation has never declined.
|
|
|